Tuesday, January 22, 2008



Some pictures from this past halloween in savannah.















I'm getting a little bit restless. The personal work is going well, I suppose, sort of a consistent aesthetic, but it's purposefully not an exciting one and sometimes it's hard to work with, and I probably need a couple day break. I think I want to shoot a few rolls on a 35mm point just to clear my head. Or maybe get out the mamiya 645 for a little bit. Or shoot some black and white. Do a small project. Anyone want to commission something?

Monday, January 21, 2008



New photos up at theoneswelove.org.
Some issue with compression, think I messed up on exporting, on the last three but they should be all fixed soon.
Apparently there are some new projects in the works in that direction, pretty exciting.

We made pancakes this morning. We all brought different fruits and chocolates, etc, to Rin's and made ourself some pretty awesome breakfast.
Shot a few rolls of film, threw together a magazine submission, and I can't really remember what else happened today.

Sunday, January 20, 2008

On Spanish Moss, Philosophy, and Statistics




This is a picture of a man pretending to be spanish moss.

I'm having a bit of a crisis right now.. not the painful writhing kind, but more the calm hopeful kind, if that makes any sense. I've realized that I've always wanted some kind of liberal arts degree. Not that I'm upset at being close to having a fine arts degree - I'm proud of being here and think this is important - but I want to have a degree in literature, history, or philosophy as well. It's an issue of having something that you are very close to and educated about to create art of... it's possible to create art about art or art about things you are interested in, but I feel like I'd just be able to find my voice if I really immersed myself in more learning.

It's addictive, I admit. I'm in danger of being lost in academia forever, possibly. I was already planning on going to grad school and want to teach eventually. I'm not uncomfortable with the thought, although school is, by nature, nerve wracking and time sucking. I don't particularly look forward to having to take slow moving intro classes with bored freshmen. But really I just wonder how I'll ever be able to pay for any of it. Maybe a school will let me pursue a degree in philosophy while teaching entry level photo classes to freshmen? Maybe I'll be able to get a full ride somewhere? Does anyone have any recommendations?

Actually, I think philosophy in specific is a good start, for looking. My copy of The Gay Science is quickly becoming the most dog eared and manhandled book in my collection, with only the complete Kafka and The Brothers Karamazov coming anywhere close. Anyone know a good place to study?



1. Scan - It's impossible to look to the future with a large amount of past work unfinished. I have to get these negatives out of the way as soon as possible.

2. Organize - I have to put together two books before the end of this quarter, apparently both photo classes I took require them. It's going to be interesting, and as a side effect of the publication process, they will actually be available to purchase (if I decide I'm satisfied.)

3. Tutor - I know the college is in need of tutors, and I should get a job teaching either photography or art history. It's not the best pay, but I only have a small amount of teaching experience on my resume (even though I often help peers in the darkroom or outside of class, apparently I'm a go to guy for photo knowledge and brutally honest critique, which I only give in person) and if I'm hoping to teach my way through another degree, anything I can get will help.

That's enough list for now.


I'm taking a moment to do some calculations here, figure out how my site is doing. I don't know a huge amount about this stuff, but I'm learning.

Figures in parentheses refer to the 7-day period ending Jan 19 2008 at 3:37 AM.

Successful requests: 7,945,505 (182,093)
Average successful requests per day: 7,326 (26,013)
Successful requests for pages: 427,866 (54,803)
Average successful requests for pages per day: 394 (7,828)
Data transferred: 772.49 gigabytes (31.25 gigabytes)
Average data transferred per day: 729.35 megabytes (4.46 gigabytes)

Those numbers seem a bit huge, but they don't represent people, so to try and figure out how many people are actually looking at my shit, I'll have to do a little more digging.

Ok, so each page hit is when a user loads a page. The main page has two frames, so that counts as three, and there are twelve more pages. So I'll just assume the average person hits 15 pages when they visit, since doubtless some people only look at one or two pages, and others look all around or come back multiple times. I can't really be sure of it, so it's really a total guess, but it's worth thinking in that direction.

So... divide by 15.. I'll round em to full numbers.

Successful requests for pages/15: 28,524 (3,654)
Average successful requests for pages per day/15: 26 (522)

So on average about 26 people visit my site per day? That doesn't seem impossibly large, and this last weeks figures are totally off from the average, since I linked it everywhere when launching the new version. 28 thousand visitors seems to be pretty damn large though, maybe there's a hole in my logic. I mean, I'm sure at least 1,000 of those have been myself and immediate family hahaha.

What is odd, is that in my failure report, /favicon.ico was requested 24,616 times. I don't have a fav icon and keep it that way, because this way I can tell if someone saved my site to their favorites, or at least that's the theory. I though that must be some kind of bug (There is no way that many people were interested) but it's pretty close to the above figure... I mean, that is over 3 years, so it's not impossible. It's hard to see that many people being interested in a personal website though.

Lets see if any of these other stats are useful... Most of my overall requests are from the folder I post images for my journal to, that makes sense, since it's reproduced on people's friend pages automatically. That still doesn't explain the page views though. Livejournal basically accounts for 50% of my overall traffic, which is allright, I have plenty of bandwidth. So I don't have to stop posting images to lj or worry about it overloading my server and costing me a bundle. Good.

Most people visit the site at around 9pm, with the hours between 5pm and 1am being the most active... again logical, you guys are all checking your internets.

Wow, this last year has seen a huge increase in my average traffic. The first year, 2005, it was around 80-1000 requests for pages a week, this year has been around 2000-6000 on average with spikes around 10000 every few weeks. It served 197,094 pages in 2007... so about 13,140 visits? That's almost half of the total. Not bad. At least it's showing an upward trend, right?

Oh man, the really funny shit is in the Search Query Report, apparently some people find my site by searching for some really weird stuff.
"shitting girl" "tampax index" "naked snow girls" "gender bender (this one sort of makes sense since I shot an event called that)"
That's just from the couple random daily reports I glanced at. Anyway, that was interesting. Not worth thinking too hard about though, right now, as long as I'm not in danger of being over bandwidth.

Saturday, January 19, 2008

On Art and The Pure Beauty of Existence


On Challenging Art - Marcel Duchamp

Creation of Fountain began when, accompanied by the artist Joseph Stella and art collector Walter Arensberg, he purchased a standard Bedfordshire model urinal from the J.L. Mott Iron Works, 118 Fifth Avenue. When the urinal was in his studio at 33 West 67th Street, he turned it 90 degrees from its normal position, and wrote on it "R. Mutt 1917".

On Embracing Concept - Joseph Kosuth

The piece consists of a chair, a photograph of this chair, and an enlarged dictionary definition of the word "chair". Crucial to the work is the fact that the photograph depicts the chair as it is actually installed in the room. The piece holds within it the context of its own display, and thus changes each time it is installed in a new venue.

On Immaterial works - Yves Klein

“Recently my work with color has led me, in spite of myself, to search little by little, with some assistance (from the observer, from the translator), for the realization of matter, and I have decided to end the battle. My paintings are now invisible and I would like to show them in a clear and positive manner, in my next Parisian exhibition at Iris Clert's. ”

In another act that became known as an Yves Klein artwork, he offered and managed to sell empty spaces in the city in exchange for gold. He wanted his buyers to experience The Void by selling them empty space. In his view this experience could only be paid for in the purest material: gold. In order to restore the "natural order" that he had unbalanced by selling the empty space (that was now not "empty" anymore), Klein threw the gold into the river Seine.

On Body Art - Chris Burden

Several of Burden's performance pieces were considered somewhat controversial at the time. Shoot, for example, involved Burden allowing an assistant to fire a loaded rifle at his arm. Another such "danger piece" was Doomed, in which Burden lay motionless in a museum gallery under a slanted sheet of glass, with a clock running nearby. Unbeknownst to the museum owners, the concept of Doomed was that Chris was prepared to remain in that position until someone from the museum staff interfered in some way with the piece. Forty-five hours later, a museum guard placed a pitcher of water next to Burden, thus ending the piece.

On Culture Jamming - Billboard Liberation Front

In September 1977, 19 year old Jack Napier and 43-year-old Irving Glikk attended an event sponsored by the mysterious San Francisco Suicide Club entitled: "Enter the Unknown". The two friends along with 24 other nascent urban adventurers were blindfolded, driven to an inner city freeway exchange and cajoled into climbing onto a factory roof where they improved two existing billboard messages. This gaggle of earnest though inexperienced drive-by copywriters are apprehended by the authorities and become known as the Max Factor 26.

On Material Wealth - The K Foundation

On the 23 August 1994, in a boathouse on the Scottish island of Jura, Drummond and Cauty incinerated £1,000,000 in cash. The burning was witnessed by an old friend of Drummond's, freelance journalist Jim Reid, who subsequently wrote an article about the ceremony for The Observer. It was filmed on Super 8 by their friend Gimpo. Reid admitted to first feeling shock and guilt about the burning, which quickly turned to boredom. The money took well over an hour to burn as Drummond and Cauty fed £50 notes into the fire. Drummond later said that only about £900,000 of the money was actually burnt – the rest flew straight up the chimney.



Entry put in memories, and to be added to as I find or remember things that interest me.

Friday, January 18, 2008

Hey Fuckers!

I love you guys! I love you guys so much that I haven't left my computer chair for more than five minutes since 5pm yesterday night. That's 27 hours of love!

Where did that love go, you ask? It went straight onto the internet! Then after some tweaking, more tweaking, not enough tweaking according to some people, so there is possibly even more tweaking in the future but that's besides the point, of MY WEBSITE.

In fact, I'll be scanning, resizing, and adding never before digitized work to the random image cue all this upcoming night! So feel free to fry your optical balls against your monitor as you quiver in anticipation! New Art, Same Great Taste!



Awesome!


Well, I hear you ask, if you've put in so much work, what exactly is new? Oh the new things, let me lay them out for you in startling futurovision!

New Domain! The newly registered IanAleksanderAdams.com domain is now an option for your web browsing pleasure!
New Font! Times New Roman just isn't new anymore! Straight from me in loving Georgia, it's... Georgia!!
New Organization! There are now projects up, instead of barely sorted and confusing to navigate galleries!
New Navigation! Gone are the days of clicking on unforgiving characters and long live the days of page-downing, scrollbarring, or middle mousebuttoning your way though content! Yes, that's right, the popular and trendy SCROLL DOWN navigation is now here to stay. Scroll across navigation was played with, but the page down button won out in the end folks.
New Information! The resume is actually up to date for once! The dates are all organized! I've added two words under my name to the navigation bar! Dazzling!
New Content! Not only are there never before seen on the internet pictures, there is also writing, dredged from the depths of my mind and viewable to you before its soon to be in print debut (details later), there is animation, viewed already but not in this image size, and most startling and exciting of all

The all new super awesome never before seen in a streaming online format (so I assume most of you haven't seen it at all) spectacular moving picture video Roshini! No, folks, it's not a talkie, but with Sean Leonard's ragtime accompaniment, you'd swear you're almost there!



So choke down those carcinogens and click click click to your heart's content!

Surgeon General's Warning: Website is a work in progress and content has not been screened before any rating board or health committee. Website assumes you know how to use the internet and where to click. Known issues include auto refresh sometimes displaying the same random image several times in a row and layout looking a little wonky in internet explorer and absolutely impossible to navigate at resolutions under 1024x768. Solutions are being looked into, but if you experience these or any other problems, don't hesitate to contact the poster of this bulletin. In fact, if you'd like to test it in every browser you can get your hands on and let me know if there are any problems at all, I'd be really really grateful.

Thursday, January 17, 2008

I'm interrupting this steady trickle of rolleicord pictures to bring you some bike painting pictures!
Andrew asked if he could use my studio lights so he could see what he and Fasulo were doing at night.
I figured that if I was setting up the shit, I misewell take some pictures.



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